First direction
A thin curl of pale smoke rising from the lower left across a pure black background, soft side lighting, wispy irregular edges, wide open space on the right, no visible source object.
Create smoke imagery for atmospheric composites and overlays. Control the plume, lighting, and empty space before blending it into your scene.
Generation uses credits. Check the selected model’s price and your plan before generating.
Choose a thin curl, low fog bank, or broad drifting plume.
Place highlights where the destination scene's light would strike the smoke.
Use a dark or simple background that suits your intended masking workflow.
Use these written examples as a starting point. Adapt the subject and references to your project; generated results will vary.
A thin curl of pale smoke rising from the lower left across a pure black background, soft side lighting, wispy irregular edges, wide open space on the right, no visible source object.
A low bank of cool gray mist drifting along the bottom of a black frame, subtle layered density, no horizon, no text, composed as source artwork for a later screen-blend composite.
A generated image is not guaranteed to have an alpha channel. Isolate or blend the smoke in an editor, remove background contamination, and test against the actual scene.
Choose a thin curl, low fog bank, or broad drifting plume.
Choose Nano Banana 2 in Pixo. Enter the creative brief and add any visual references, then choose a supported aspect ratio and resolution.
Check smoke edges, depth, unwanted solid objects, and how the brightest areas behave over the destination image.
A generated image is not guaranteed to have an alpha channel. Isolate or blend the smoke in an editor, remove background contamination, and test against the actual scene.
Compare another approach before choosing a workflow.
Inputs, creative control, and finishing your project.
Generation uses credits. Check the selected model’s price and your plan before generating.