AI Trailer Generator
A trailer is structure before it is footage. Pixo's AI agent writes the beats, generates every shot and mixes the sound — using Seedance, Kling and Veo for the scale a trailer needs.
The gap between a great idea and a trailer that sells it
Trailers Need Footage That Does Not Exist Yet
Pitching a film, a game or a book means showing what it feels like before anything is made. That is precisely the footage no library holds and no shoot has produced.
The Cut Is the Craft
Trailers work on rhythm — the hold, the cut on the beat, the drop. Stitching stock clips under a music bed produces a montage, not a trailer.
Voice and Sound Design Cost More Than the Picture
The narration, the risers, the impacts and the final logo sting are what make a trailer feel like a trailer, and they usually mean a second budget and a second vendor.
How Pixo turns a premise into a trailer
Describe What You Are Selling
Give the agent the premise, the tone and the audience — a film, a game, a product launch, a book.
Approve the Beat Structure
The agent writes the trailer's beats — setup, escalation, turn, title card — and storyboards a shot for each. Move a beat, cut one, change the reveal.
Generate the Shots
Each shot renders with the model that fits: Seedance for narrative scale, Kling for camera movement, Veo when a moment needs to look real.
Add Voice, Score and Title Cards
Narration, sound design and music are generated with the cut, and title cards land where the beats do.
Everything an AI trailer needs
Beats, Not Just Clips
The agent structures the trailer around the beats that make trailers work, then generates shots to serve them.
Cuts That Land on the Music
The edit is built against the track, so the turns and the drop hit where they should.
One World, Held Throughout
Shared assets keep the cast, the location and the visual treatment consistent, so a ninety-second cut reads as one film rather than twelve experiments.
Trailer Voice Built In
Generate narration in the register the piece needs, without booking a voice session.
Title Cards and Logo Stings
Text beats are placed and timed with the cut rather than added afterwards in another tool.
Creators are already shipping with Pixo
From bedroom studios to agency pipelines — hear it from the people making videos every day.
1,000,000+
videos generated
100,000+
creators worldwide
190+
countries
Product demos used to take two weeks with a freelancer. Now I draft a script in the morning and the team reviews a finished cut after lunch. The scene-by-scene control is what sold me.
Je réalise des clips pour des artistes indépendants. Pixo me permet de tester trois directions artistiques dans la même journée — impensable avant.
브랜드 협찬 영상을 매주 두 편씩 만드는데, 장면별로 다시 생성할 수 있어서 수정 요청이 와도 무섭지 않아요.
Pixo thinks in shots, not clips. I can hold a location and a character across an entire sequence — that's the part every other AI tool gets wrong.
Hago videos para clientes de tres países y Pixo me resuelve la producción completa. Storyboard en la mañana, revisiones en la tarde, entrega el mismo día.
I run two faceless channels and this is the whole production stack. Script goes in, storyboard comes out, I tweak three panels and hit generate.
歌ってみた動画のMVを自分で作れるようになりました。絵コンテを直すだけで世界観が変わるのが楽しいです。
Clients ask for changes on Friday afternoon. I regenerate one scene instead of rebooking a crew — that alone pays for the subscription.
Every single I released this year has a video now. I storyboard the whole thing in an afternoon, regenerate the scenes that feel off, and export for YouTube and Reels in one go.
我做短剧账号，以前一集要剪两天。现在分镜自动生成，我只改镜头描述，当天就能更新。
Trailer FAQ
Common questions about making trailers with AI.
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Make your first AI trailer
Join thousands of creators using Pixo to turn their stories into visual reality.
No credit card required • Free 200 credits